The Chorale is proud to be participating in a fundraiser to support the North York General Hospital’s Senior Health Centre. “A Christmas Carol” by Charles Dickens will be an evening of dramatic readings, with beautiful holiday musical selections presented by The Nathaniel Dett Chorale and the Adult Choir of St. Timothy’s Anglican Church in North Toronto.
This wonderful event is taking place on Sunday, December 4th at 7pm, at St. Timothy’s Anglican Church located at 100 Old Orchard Grove. Tickets are available by calling 416-488-0079. Hope to see you there!
The Nathaniel Dett Chorale’s 2011/2012 season is now on sale. This season, we bring you three very different Afrocentric concerts representing a sweeping range of soulful repertoire, from Afro-Latino and Andean sounds in An Indigo Christmas… Navidad Nuestra; to the African inflections of jazz and spirituals interwoven with readings from Lawrence Hill’s award-winning novel in Voices of the Diaspora… The Book of Negroes; to a brilliant but little known opera by composer Scott Joplin, in And Still We Sing… Treemonisha.
We have a stellar lineup of guest artists for you this season, including Maderaz Latin Music and COBA (Collective of Black Artists); author Lawrence Hill and the Joe Sealy Quartet; and some of our most talented Chorale alumni, who will return to take the principal roles in Joplin’s Treemonisha.
Like our colleagues at some of the city’s best-loved arts organizations, we are pleased to announce our move to a new venue, Koerner Hall. Its excellent acoustics and central location at the newly expanded Royal Conservatory of Music on Bloor Street convinced us that it was the right time for us to relocate to what the Toronto Star has called “the best concert venue in Toronto.”
Enjoy all three Nathaniel Dett Concerts and save: tickets are on sale now–click on this link for the Koerner Hallbox office.We look forward to seeing you soon!
Ariel Fielding
Director of Touring, Production, and Development
On March 6, 2011 the Chorale will join the King Edward Choir to perform a concert rich with Afrocentric choral music. The King Edward Choir, a classically based ensemble, has enjoyed rehearing this wonderful repertoire with Dr. Brainerd Blyden-Taylor, and is thrilled to be able to bring this concert to the stage.
Join us at Collier Street United Church in Barrie at 8pm as we present a tribute to Afrocentric choral music and is influence on choral music today. To read more about this exciting concert, check out this great article from Simcoe.com
On February 23 & 26, Toronto audiences will have the opportunity to experience a concert event unlike any other in the city. The Nathaniel Dett Chorale will take to the stage at the Glenn Gould Studio to present Voices of the Diaspora…Haitian voices, thanks to the generous support of TD Bank Group. The Chorale will also take this outstanding concert to Montreal on February 25th to the Church of St. Andrew and St. Paul.
The concert will feature the music of Haitian-American composer Sydney Guillaume, who’s music is rich with the beautiful melodies and percussive rhythms that are indicative of Haitian traditions. Guillaume sets most of his music to the Crèole text of his father, Haitian poet Gabriel T. GUillaume. The marriage of this moving text and alluring music takes the listener to the heart Haiti and highlights the strength and spirit of this extraordinary nation.
Click here see The Nathaniel Dett Chorale and The Nathaniel Dett Youth Chorale in rehearsal for Voices of the Diaspora…Haitian Voices.
On Saturday, October 16, 2010, the front page of the Toronto Star told the story of Lovely Avelus – a little girl who, after being trapped under the rubble left in the wake of the devestationg earthquake in Haiti, was found alive.
One of the Chorale’s ensemble members wrote a calypso about this strong, courageous little girl. If you haven’t already, I encourage you to read this amazing story, and listen to ‘Lovely’, a beautiful song written and performed by Darryl Huggins a.k.a. Lord Splaina.
Darryl Huggins, choirister and Nathaniel Dett Youth Chorale conductor, wrote two new pieces for And Still We Sing…Steel Singin‘, the final installment of our 2009/2010 concert series. It was a proud moment for Darryl, and a proud moment for us to be supporting one of the members of the Chorale family in such a special way.
Darryl (a.k.a. Lord ‘Splaina) grew up listening to the old calypsos that his parents would play around the house, and now has a deep appreciation of calypso music. When Brainerd began to create the program for And Still We Sing…Steel Singin’, he knew that Darryl would play an integral role in the concert.
Check out this video to hear the world premiere of Lovely by Lord ‘Splaina.
The Nathaniel Dett Chorale works hard to prepare for every performance. We spend lots of time in rehearsal fine tuning the intricacies of our repertoire, and Brainerd puts a lot of thought into the underlying thread of the concert to tie it all into one beautiful, educational, and truly unique concert experience for our audiences. So, it’s rewarding to see that our efforts have a lasting effect.
More that one year after our And Still We Sing…Life, Love & Lullabies concert, Africlassical has made a blog posting about that concert, and about the prolific African American composer Adolphus Hailstork’s Five Short Choral Works.
Life, Love & Lullabies was a wonderful soundscape of repertoire befitting of the concert’s title, and we look forward to continuing to share the many facets of the African Diaspora with audiences in Toronto and abroad.
Exerpts from The Nathaniel Dett Chorale’s February subscription season concert (Voices of the Diaspora…Dett to Africa) will be featured on CBC Radio 2’s Choral Concert program tomorrow morning (Sunday, April 26) from 8:00AM to 9:30AM.
This concert showcased a number of favorite R. Nathaniel Dett compositions, as well as other Afrocentric compositions in the spiritual and contemporary classical styles. The Chorale was joined by about 30 alumni (including powerhouse soloists Justin Bacchus and Peter McGillivray) for several of the pieces, and if the CBC plays the concert encores, you may also hear the Chorale singing Moses Hogan’s Battle of Jericho or Didn’t My Lord Deliver Daniel.
Excerpts from our February subscription season concert, Voices of the Diaspora… Dett to Africa, will be featured on CBC Radio 2’s Choral Concert program on Sunday morning, April 26 between 8AM and 9:30AM. Check out CBC’s website for more information.
Voices of the Diaspora… Dett to Africa
Sunday, April 26, 2009 – 8AM
CBC RADIO 2
For this concert, NDC was joined by more than 25 former alumni, including Peter McGillivray and Justin Bacchus, who can be seen in this YouTube video performing one of pieces featured on the program – R. Nathaniel Dett’s Chariot Jubilee. Also featured were a number of other works by Dett, as well as the Ontario premiere of Canadian composer Brian Tate’s Africa (commissioned for the National Youth Choir, and containing a combination of Ghanaian and Latin sacred texts), which was premiered by us in Alberta, British Columbia and the Yukon earlier in February during our Western Canada tour.
Tonight I went to the first rehearsal for the 10th anniversary reunion concert of the Nathaniel Dett Chorale. Singing at the centre of a choir of forty big-voiced musicians with a wall of basses reverberating behind me was truly wondrous. As the sound swelled up in a wave around and through me, a tumult of emotions filled my heart to overflowing. It was such a joy to sing with so many who not only excel at their craft, but were on the same jubilant high as me, deeply engaged, delighted to be making music together. If you are in Toronto, and you are free on Wednesday or Saturday of this week, c’mon down to the Glenn Gould Studio at CBC for our concert. You won’t be disappointed. For the rest of you, CBC will be taping our Saturday show (or part of it) for future broadcast.
Ariel Fielding, NDC alumna
What: Voices of the Diaspora…Dett to Africa
Where: Glenn Gould Studio
When: Wednesday and Saturday nights, February 25 and 28 @ 8PM
Tickets: Contact the Roy Thomson Hall box office, 416-593-9918
It’s a Dett reunion as NDC alumni return to join current Chorale members for a program of favorite R. Nathaniel Dett compositions and a number of contemporary Afrocentric choral premieres including Africa by Brain Tate (commissioned for the National Youth Choir and containing a combination of Ghanaian and Latin sacred texts).
These, of course, are just what I was able to take whenever we weren’t singing. A number of the girls also wanted me to take some portraits of them, and those are in their own folder.
York music grad part of music celebrations for Barack Obama
York music grad Trisha Dayal Gunpath (BFA Spec. Hons. ‘01) is in Washington, DC to perform with the Nathaniel Dett Chorale, a Canadian choral music ensemble, in celebrations surrounding the historic inauguration of Barack Obama as America’s first African-American president.
Dayal Gunpath is a soprano with the 21-member, multicultural choral group that specializes in Afrocentric music. The Nathaniel Dett Chorale will give a 40-minute concert this morning at the Smithsonian Institution’s National Museum of the American Indian as part of musical celebrations of Martin Luther King Day and the presidential inauguration. The chorale is the only Canadian ensemble to participate in the festival. The choir will then perform outside the Canadian Embassy tomorrow as part of Inauguration Day celebrations. The Canadian Embassy, is situated on Pennsylvania Avenue, right on the Inauguration Day parade route.
Both performances are part of the Out of Many three-day festival, inspired by Obama’s election night speech.
We are profoundly honoured by these invitations, says the chorale’s founder & artistic director, Brainerd Blyden-Taylor. The Nathaniel Dett Chorale has always sought to dissolve barriers of stereotype, to empower and inspire through the unity of music and celebration. We are touched that our performances in Washington are considered to be a tribute from Canada to the American people at this remarkable time in their history.
Dayal Gunpath began her singing career with the Toronto Children’s Chorus, directed by Jean Ashworth Bartle, in 1990. After graduating from the vocal music program at Cardinal Carter Academy for the Arts, Dayal Gunpath studied at York University under Canadian voice instructor, composer and tenor Albert Greer. While at York, Dayal Gunpath sang with the ensemble Wibijazz’n', as well as various other York University Concert Choirs.
The Nathaniel Dett Chorale is Canada’s first professional multicultural choral group dedicated to Afrocentric music of all styles, including classical, spiritual, gospel, jazz, folk and blues. The 21 members of the choir are classically trained vocalists who have shared the stage with internationally recognized artists such as Juno Award-winning jazz pianist Joe Sealy, opera star Kathleen Battle, and the Toronto Symphony Orchestra. The choir has performed for world leaders such as Desmond Tutu and Nelson Mandela.
The Nathaniel Dett Chorale will follow up next week’s Inauguration Day performance with a series of Canadian performances as part of Black History Month. For more information and for a listing of performance dates, visit the Nathaniel Dett Chorale Web site.
Our tour manager, Ariel Fielding, sent this message to the office earlier today:
“8:30 AM and already hundreds of 1000’s of people outside. Anyone who goes through a ‘hard’ checkpoint must have every belonging sniffed by dogs. I went to bed at midnight, up @ 2, left on the bus @ 3. Herded my people through dark and crowded streets well before dawn, dodging some of the many so-called ’soft’ checkpoints and speeding through others, our photographer sprinting ahead and scouting out the best routes. Thank goodness we had been given ‘credentials’ the day before, actually just a laminated paper pass on a lanyard that you could easily bootleg. Once we got inside, I was ushered into a corner office overlooking the Capitol bldg and the parade route on Penn. Ave. Dead tired and hoping to nap sometime soon, but will have a primo view of parade.”
I’ve been watching the live coverage of the inauguration events on CNN.com, and noticed that one of the feeds was focused on something called the Newseum. Wondering how far away the Canadian Embassy was from this landmark, I did some Google map searches, and was astonished to discover that the Embassy is just next door to the Newseum! (The Newseum is the glass-lined building on the left in the above photo.) How amazing that I can watch the crowd-filled streets in front of the Newseum and know that the Chorale is seeing the exact same view. The outdoor rotunda where the Chorale was scheduled to perform can be seen in the centre of the photo.
I’m streaming live coverage of the events in Washington, DC, and I can hardly contain my emotions. It is 10:45AM as I begin to write, and I am wondering what my friends are doing right now in Washington.
Our trip to the inauguration has been a huge endeavor, with plans dating back to late fall when we wondered, “What if…? Wouldn’t it be great to be there?” Being invited by the Canadian Embassy to participate in the festivities in Washington was a dream come true, but it has also been a lot of hard work – securing funding and media coverage, and coordinating all of the million details of the tour, as well as practising our music. We couldn’t have done it without the support of our wonderful Board of Directors, our publicist, Victoria Lord, and the many staff and ensemble members who have contributed to this tour.
When Obama’s cavalcade drove down Pennsylvania Avenue, I tried to see where the Canadian Embassy – and the Chorale – was. Earlier news reports had indicated that the Embassy would have the Chorale positioned – singing – in an outdoor rotunda as Obama drove by. (Many of the women in the choir had purchased warm black dresses or coats in anticipation of performing outside.) As late as last Friday, when the Chorale left for an engagement in Ann Arbor, we didn’t know exactly what our schedule would be like today. I still don’t know – although I hope our tour manager and Brainerd have received more information in the meantime.
All of the singers were so excited to travel to Washington. The media interest in our story took us completely by surprise, and Brainerd spent much of last week speaking to reporters when he might have preferred to be preparing for the trip. Regardless, we are enheartened to know how much our story has captured the imaginations of of everyone who hears it, and we are thankful for the many good wishes that have been sent to us. It has been said many times that we are “Canada’s gift” to Obama, and we are so proud to represent our fellow Canadians on this day.
On a personal note, I have suddenly realized that my time as the Chorale’s administrative head has been bookended by two amazing public events. One year ago, exactly two days after I began working as the Chorale’s Artistic Administrator, the Chorale sang at Canadian jazz legend Oscar Peterson’s memorial concert, Simply the Best, at Roy Thomson Hall. Brainerd promised to get me on the back stage list with the rest of the Chorale, so I didn’t have to wait in line with the hundreds and hundreds of other fans who shivered for hours in a chilly January rain, hoping for a seat inside the hall.
Sitting with the choir that evening, I watched an historic concert, and shed many tears. Now, a few short days from my stepping down in my current role with the Chorale, Aretha Franklin is singing My Country, ‘Tis of Thee, and I am crying again. Music has a way of touching our deepest emotions and healing us. At Oscar Peterson’s memorial concert there was a moment when Herbie Hancock was playing an introspective solo that I looked up and watched the audience, united in common feeling, and I felt such tenderness for all of us.
Seeing the millions of people gathered in Washington this morning, I am similarly touched. We are the people who posses the power to effect change. We have participated fully in the coming of this moment.
Helping make history doesn’t come easy or cheap. But the toll, both physical and financial, is well worth it to the members of the Nathaniel Dett Chorale.
A multicultural Toronto-based choir dedicated to Afrocentric music of all genres, the Chorale was chosen by the Canadian embassy in Washington as “Canada’s gift” to the celebrations surrounding U.S. President-elect Barack Obama’s inauguration on Tuesday.
The choir’s symbolic significance is clear: Composer Nathaniel Dett, the grandson of an Underground Railroad refugee, was born Canadian in 1882 in Niagara Falls (then Drummondville), but trained and composed widely in the United States and Europe.
“He’s someone we share,” said chorister Carolyn Williams.
But as the voyage to this landmark political event started to take shape, their performances at the Canadian embassy and the Smithsonian Institution began to look like the easy part.
The Nathaniel Dett Chorale, a Toronto-based chorus that performs Afrocentric music, will be in Washington in 10 days to join the celebrations around president-elect Barack Obama’s inauguration.
The 21-member classically trained chorale has been invited to perform at two public events.
The group will sing at the Smithsonian on Martin Luther King Day, Jan. 19, as part of a three-day festival celebrating the many cultures that came together to create the United States.
Then, on Jan. 20, the day of Obama’s inauguration, the chorale performs at a public event at a “tailgate party” at the Canadian Embassy.
The embassy is on the route for the inaugural parade and the event has been organized by the Canadian Tourism Commission.
Students from community schools around York University packed Burton Auditorium on January 17 for a concert by the Nathaniel Dett Chorale honouring Martin Luther King Jr. Day.
Left: Conductor Brainerd Blyden-Taylor talks about the choir’s repertoire
The award-winning Toronto-based choir, named for the celebrated Canadian-African composer, pianist and educator R. Nathaniel Dett (1882-1943), sang from its repertoire of Afrocentric classical, spiritual, gospel, jazz, folk and blues music.
The 21-member choir, which includes several alumni of York’s Music Department, performed classics such as Ave Maria, Let Us Cheer the Weary Traveler, Go Tell It on the Mountain and other songs under the baton of founder and artistic director Brainerd Blyden-Taylor.
The Nathaniel Dett Chorale, a Toronto-based chorus that performs Afrocentric music, will be in Washington in 10 days to join the celebrations around president-elect Barack Obama’s inauguration.
The 21-member classically trained chorale has been invited to perform at two public events.
The group will sing at the Smithsonian on Martin Luther King Day, Jan. 19, as part of a three-day festival celebrating the many cultures that came together to create the United States.
Then, on Jan. 20, the day of Obama’s inauguration, the chorale performs at a public event at a “tailgate party” at the Canadian Embassy.
The embassy is on the route for the inaugural parade and the event has been organized by the Canadian Tourism Commission.
We’ve landed at the historic Yorktowne Hotel in York, Pennsylvania, and we’re going to have a day of rest before heading into Washington on Monday and Tuesday for the Inauguration celebrations. And I need the rest- I got a stupid cold the day before we left, and by our workshop this morning my voice was not so much my own. I am choosing to be steadfastly convinced that it will return to me before the historic events!
Our concert last night in Ann Arbor, Michigan, was the perfect beginning to this journey. We had the great pleasure of a very receptive and generous audience, on whose articulate faces we could read impassioned response. Recessing down the main aisle of St. Andrew’s Episcopal Church through that parted sea of faces nearly floored me. Several of us had been moved nearly to tears at different parts of the program.
And this morning we had the good fortune to revisit some of those same faces in a more relaxed, workshop setting. The audience was lively and full of insightful comments and questions, and Brainerd punctuated the discussion by leading the choir and participants in traditional spirituals (now everyone in the choir seems to want a copy of the hymnbook).
Towards the end of the workshop, a woman in the audience began to speak. She started to thank us, and couldn’t go on. Brainerd moved into the pew to give her a hug, and Carolyn came down from the altar steps to share her tissues. A few minutes later, someone suggested we all sing “We Shall Overcome”. That totally did it for me. I was reminded of our concert in December, the benefit for Grandmothers to Grandmothers and the Stephen Lewis Foundation. The church was packed to the rafters, and we concluded the concert with that same song. It doesn’t take a great stretch of the imagination to get caught up in the potent history of that song, especially in a time as momentous as this past Presidential election. So this morning, I sang approximately two notes of We Shall Overcome, before I was, um, overcome. Carolyn turned around to comfort me. I asked her later if she’d done so because she heard me stop singing, and she said no, she just knew I was crying.
I was talking to Brainerd about it while eating suspicious chicken tenders at our truck stop dinner. I said “I am going to have to get it together before Washington, or I won’t be able to sing a note!” I was thinking back to my very first rehearsal with the Chorale, when I cried all upanddown the front of my shirt sighreading “Truth Pressed to Earth Shall Rise” for the first time. The words of Martin Luther King Jr. leapt off the page: “At the center of non-violence is the power of love. So if we must choose a weapon, let it only be love. Power at its best is love.” Those words MOVED me: not just to tears, but in a very physical way, in a way they were designed to. Those words are a call to action. They’re liberating not just in a political sense but in a personal sense: King saw the human person’s dignity, and what he saw was very good. We sang “Truth Pressed to Earth” all through our fall tour through the Southern States, during the election campaign, when for the first time in a long time we were hearing a politician talking about universal hope. Now we’re about to sing in Washington on Inauguration Day.
Brainerd said exactly what I expected him to say when I voiced my worry about weeping my way through history being made. “If you’re moved, let yourself be moved”, he said. We’d spent the morning speaking about how the music we sing is so deeply connected to the body, to labour and struggle and movement. He reminded us to sway in order to really internalize the music as we sang.
Brainerd always asks us to sing from our core, and he invites us to offer our full voices in all their uniqueness, as unique as the bodies we’re rooted in. Making the performance so personal is at the heart of Chorale has come here to offer: a musical tradition marked by political and social struggle, rooted in the depths of human experience. Making music like this is the simplest and best thing we can offer, because it’s an offering of the self. There is no response more appropriate to the kind of experience we are about to encounter than to let ourselves be moved.
The Niagara-based chamber choir Choralis Camerata is inviting the general public to an exciting educational day of music making about the influence of the Underground Railroad on spiritual and gospel music.
The musical event features Brainerd Blyden-Taylor, director of Nathaniel Dett Chorale, who will perform at the Jan. 20 inauguration of Barack Obama, in Washington D. C.
The Nathaniel Dett Chorale is Canada’s first professional chamber choir dedicated to the performance of Afrocentric music of all styles.
There were many hidden codes of the Underground Railroad that helped slaves flee the plantations of the southern United States and find freedom in Canada.
Quilts were embedded with clues and spiritual songs had coded messages detailing the route to freedom.
Niagara’s role in the quest for freedom and the music it inspired was the focus of a day-long gospel workshop held at St. Andrews United Church on Saturday.
“Gospel music helped slaves who were escaping to the north by giving them the routes to take and the safe places to stay,†said Laura Thomas, artistic director of Niagara-based chamber choir Choralis Camerata, which hosted the event.
NIAGARA FALLS – The next 10 days will be eventful for conductor Brainerd Blyden-Taylor: He’ll start with Niagara and finish with Obama.
First up, the world-renowned artistic director of the Nathaniel Dett Chorale is in town Saturday to participate in The Gospel Train Workshop at St. Andrew’s United Church on Morrison Street, hosted by Niagara chamber choir Choralis Camerata.
Then, he’s off to Washington for festivities surrounding the U. S. presidential inauguration. On Jan. 19, the night before Barack Obama is sworn in, the Nathaniel Dett Chorale will perform at the Smithsonian’s National Museum of the American Indian on Martin Luther King Day.
On Inauguration Day, the group will perform at the Canadian Embassy on Pennsylvania Avenue.
For Immediate Release, Thursday, January 8, 2009 “ Canada’s acclaimed Nathaniel Dett Chorale will be part of one of the most significant events in United States history. The Chorale, Canada’s first professional choir dedicated to performing Afrocentric music of all genres, has been invited by the Embassy of Canada to perform at their Pennsylvania Avenue headquarters on January 20, 2009, as part of an Inauguration Day event hosted by the Canadian Tourism Commission.
While in Washington, The Nathaniel Dett Chorale is also being honoured with an opportunity to sing at the Smithsonian’s National Museum of the American Indian on Martin Luther King Day, Monday, January 19, 2009. This 40-minute free concert is part of a three-day festival entitled Out of Many, a theme derived from Barack Obama’s election night speech in which he followedout of many with we are one signifying the overwhelming feeling of unity, celebration, sense of hope and belief in the future that Obama has inspired in the American public and the world at large. This sentiment is in keeping with the theme the inauguration has adopted, A new birth of freedom, taken from Abraham Lincoln’s Gettysburg Address.
We are profoundly honoured by these invitations, says The Nathaniel Dett Chorale’s Founder and Artistic Director, Brainerd Blyden-Taylor. The Nathaniel Dett Chorale has always sought to dissolve barriers of stereotype, to empower and inspire through the unity of music and celebration. We are touched that our performances in Washington are considered to be a tribute from Canada to the American people at this remarkable time in their history.
The Washington performances are a continuation of The Nathaniel Dett Chorale’s 10th anniversary season, which began with a tour to the southern United States last fall and a two sold-out Indigo Christmas concerts in December, and will include an upcoming Western Canadian tour taking place during Black History Month. The February concert dates include stops in Alberta, British Columbia and the Yukon, and will conclude in Toronto with two performances in its subscription series at the Glenn Gould Studio in the Canadian Broadcasting Centre.
The Nathaniel Dett Chorale is supported in part by TD Canada Trust Music, who also provided 11th hour funding for the Chorale’s Washington journey. Additional support for this tour was provided by the Canada Council for the Arts.
We were thrilled to be able to help make this journey to Washington possible for The Nathaniel Dett Chorale, said Frank McKenna, Deputy Chair, TD Bank Financial Group. TD is a strong supporter of the music scene, from jazz festivals to youth orchestras to outdoor rock concerts, and we’re proud to help groups like The Chorale achieve their goals. This is an exceptional choir and what a fantastic opportunity for them to showcase their talent on one of the most important dates in history.
The Nathaniel Dett Chorale is Canada’s first professional choral group dedicated to Afrocentric music of all styles, including classical, spiritual, gospel, jazz, folk and blues. These 21 classically trained, outstanding vocalists have shared the stage with internationally recognized artists such as Juno Award-winning jazz pianist Joe Sealy, opera star Kathleen Battle, and the Toronto Symphony Orchestra. The Nathaniel Dett Chorale’s mission is to build bridges of understanding, appreciation and acceptance between communities of people, both Afrocentric and other, through the medium of music. They seek to dissolve the barriers of stereotype, to empower humans in general, and those of African descent in particular.
Tickets for the Glenn Gould Studio series available in person at the Roy Thomson Hall box office, 60 Simcoe St., by calling 416.872.4255 or online at www.roythomson.com.
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